Well, it’s finally that time I’ve been waiting for since November. The stars are aligned. In the dark treeline, the black mass is on the lips of the hooded monks. And on the central dais, hog tied and with fear in her eyes, is the sacrifice. We are about to invoke the spirit of The Editor…
Luckily for me, my Inspired Quill editor, Peter Stewart, doesn’t really need any of this. So, I send the monks back to their day jobs as civil servants, cut the sacrifice free and give her a tin foil blanket before making sure she’s home before 10 pm. The sacrificial athame goes back in the kitchen drawer with the spoons and pizza cutter.
The point of this elaborate introducion is this…
The edits for Greaveburn are finally back!
The last few months have been a steady stream of flop sweats and half-believed self assurances as my mind flits between ‘they’re going to tear my book apart and salvage its parts for the black market’ and ‘it’ll be fine, they like it enough to edit it, so they won’t be too cruel’. The former has definitely been winning in terms of brain space. In fact, when my inbox pinged, I froze. Do I really want to read this? Can I take the beating if the result is a complete rewrite/cutting of beloved characters/stylistic overhaul? The answer, as I’m sure you’ll guess, was ‘we’re about to find out’.
Email open, file downloaded, hovering of finger over OPEN.
Like some rabbid lipstick merchant had taken slashing across the pages, there was red text. EVERYWHERE. My heart sank. But I decided to read the actual words before checking the tensile strength of the light fittings for noose-application. And you know what? It wasn’t so bad. Hell, the comments are GOOD! Useful! I find myself nodding, whisking through the pages focussing on just the comments rather than overthinking what I’ll do about them. They all make perfect sense. Little things I’ve missed with grammar, punctuation, and sentence structure, all easily fixed with Peter’s expert suggestions. A few little vocab comments where words could be changed for better effect.
And all of a sudden, I was at the end.
What the hell had I been worried about? This guy knows what he’s doing. I didn’t find a damned thing that I disagreed with or anything I couldn’t easily fix. There were just as many positive comments as negative (although none were really negative, more like necessary highlights). It may have been preying on my mind for the last few months, being the first and last things I think about on a day to day basis, but it’s all come out ok. To be honest, as I read through the suggestions and comments and tweaks, I realise that with Peter’s help, this novel has the potential to go somewhere!
I’ve always been told (as have you, for that matter, fellow Writer) that Editors are essential. They know their shit, if you’ll excuse the French. You should take their comments seriously and take them without offence or that horrible knee-jerk reaction that makes us scream “WHAT DO YOU KNOW!?” and stomp off to sulk. But you don’t really believe it until you’re on the receiving end of a bloody good Editor.
The point of this blog, dear friends, as well as to throw on the net whatever oddments cross my mind, is to teach. Looking back over previous posts, you’ll see all the mistakes I’ve made. All the assumptions and diversions that have led me not only down the wrong path but into the soul-sucking quicksands of Indie Writer Hell. And I want you to make these experiences your own. Learn from what I’ve done wrong and don’t bloody do it yourself (using Createspace if you’re not from America, for example. Waste of time and money, folks). But sometimes, just sometimes, I get to tell you about something I’ve done RIGHT. Not very often, mind. But here’s one of those times. Submitting my work for a proper read-through and commenting may just be the scariest and best damn thing I’ve ever done. INDISPENSIBLE is the word I’m looking for.
And now the hard work really starts. The revision stage. I’ve never hit this part before. Taking someone else’s thoughts on my work and moulding them not only as they suggest, but keeping with my own style and intention toward the novel. This is going to be a lot like a collaboration. I’m out of my depth again, folks. But I’m actually looking forward to it! Stay tuned for how well/badly this next bit goes 🙂 And when all’s said and done, this has made me realise something which, at the back of my mind, I’ve still doubted; that Greaveburn is going to be a reality. These edits are going to sharpen it up, make it really rock, make it a book that YOU might read soemtime soon. With discussions on potential cover art going on (more on that in a later post), things are rattling along at an alarming rate. Sometime this year, my book, my words, my characters and plot twists and dark descriptions are going to hit the public. It’s fantastic, and I’m suddenly petrified all over again, with a big old grin on my face 😀
Thanks for reading.