As soon as your novel, poem, screenplay or artwork leaves your hand, it’s open to the interpretation of others. That’s just how it goes. And to a certain degree, that’s the whole point. Especially with books. How I imagine one of my favourite characters, Harry Dresden, is mine alone and will be subtley different from how others imagine him. It’s part of the fun of picturing things in your head.
The way that I’ve come across this kind of thing is in readings, workshops and at signings. People seem to really want to know what Greaveburn “is”.
There have been several theories offered to me:
1. Greaveburn is an alternate history.
2. It’s a parallel universe.
3. It’s an alternate dimension.
And, most recently,
4. It’s a post-apocalyptic city.
That last one came from a recent review by Scott Kinkade, which I won’t link to as it has lots of spoilers in it, but his theory is a good one, as theories go.
I’ve wondered whether to dispel these theories or just let people carry on, and I’ve finally decided to do the latter. What people get from the book is their own personal experience and I’m happy to have it that way.
But it points to something interesting in human nature, I think. The constant search for solid answers. None of the people who made these theories could just let Greaveburn be. It has to be something. Odd don’t you think? And worth bearing in mind when you write your own work.
Thanks for reading.