Patreon: My Experience

Hi everyone,

I’ve officially been on Patreon for two weeks now! How’s it going? Is it worth it? Is it complicated to use?

In short…brill, yes, no.

But what’s it all about? For those of you who are Patreon-curious, the idea is very simple. In days of yore artistic types such as authors, poets, painters and musicians would have patrons who would help them to afford to live while they created their works of art. Patreon does the same thing, allowing people who want to support the arts or creation of something new to choose a person or project that they like and help to fund it.

starvingwriter
“Starving Author” a self portrait by Craig Hallam

How is that different from Kickstarter, I hear you cry? Well, on Patreon you’re choosing a person that you believe in. You’re not taking one project, making it happen, then getting something at the end of it, you’re helping a person to reach their ongoing goals and receiving ongoing rewards as a thank you. An artists can have a monthly amount that they need to reach in order to be able to create full-time, or perhaps like myself they need help with the travel costs to attend events and book signings across the country. To me, that travel is absolutely essential to expanding and maintaining my readership. Also, instead of a one-off payoff like Kickstarter, patrons receive brand-new work from their favourite creators every month, often well before anyone else.

So, how hard is it to set up? Ridiculously easy. Within an hour or so I had my page ready to go. The system that they have in place is so easy to navigate through and the Patreon team have taken great pains to make sure that easy-to-read information is available on everything that you might be trying to do. The whole site is written with a chilled vibe and friendly atmosphere.

Two things to be aware of! You will need to submit your page for approval (to make sure that you’re not being sketchy) before it goes live. However, it took mine about two hours to come back so hardly a long wait. Secondly, you’ll need to fill out some kind of tax form. However, before you start to panic as I did, the forms are right there on the site, all clickable boxes, and Patreon has added super easy guidance so that you know what to put in each box. They then sort your tax FOR YOU. So anything that ends up in your bank account at the end of the month is yours and yours alone. No messing. How awesome is that?

Basically, I’m very happy with it so far. I think that this is exactly what struggling artistic types like me really need to be able to make beautiful things to share with you. I only have six patrons at the minute but I’m already half way to being able to afford the costs for one event table a month. That’s amazing! I really can’t express how lucky I feel to have such lovely people supporting me. And the real beauty of being a patron are the tiers. You can decide to be a patron for as much or as little a month as you like, and not only do you get the warm and fuzzy feeling of helping out your favourite artist (because every penny counts and is much appreciated) but you get to see some great new work, too.

My patrons are getting some really fun new material. Patreon is giving me an opportunity to share poetry, short stories and experiences that are just a bit different, a bit more vital or expressive or avant-garde that might struggle to get published elsewhere but I get to share it with you all, anyway. So far, patrons are getting access to:

  • Brand new spooky poetry for a collection called “Rhyme beyond Reason”
  • Also new poetry based on the Down Days novella about my experiences of living with anxiety and depression. This will be collected and printed, too.
  • A serialised novella, Oshibana Complex, which is a hopeful, philosophical, dystopian cyberpunk story featuring non-binary characters, all about the final evolution of humanity (whatever that may be…)
  • New and exclusive Alan Shaw stories just for patrons!

I’m also looking forward to meeting goals which will allow me to print the collections mentioned above and pay an artist as they should be to draw my Steampunk comic book, Aethertide. I’m eager for you to all meet Olivia and Raisa as they leap between dimensions.

All of these things are possible with Patreon and it’s a very exciting time. Because these are things that, once in print, I can not only take to the book signings, but also send to patrons before anyone else gets to see them.

What Patreon builds is a loving, interactive and supportive relationship between creator and patron. It really does give me the warm and fuzzy feelings.

Anyway, that’s what’s been going on with me for the last two weeks. If Patreon sounds like something that you might be interested in either starting or joining, here’s the link:

http://www.patreon.com/craighallam

If you would consider sharing the link around, I would really appreciate it. You’ll be helping me to build my career, creating wild new pieces of writing and maybe even eat at the same time 😀

 

As always, thanks for reading, folks.

Guest Post: Mark Cantrell

Good morning, everyone!

As promised in a recent post, we’re being visited today by the excellent, fellow Inspired Quill author, Mark Cantrell. Journalist, author, and all-round stand-up human being, Mark is someone who I’ve never met in person, but who has been a constant support throughout my own author journey. Among his many novels, Citizen Zero and Silas Morlock are not-so-distant reflections of our own society, as all good sci-fi should be.

Come and meet him…

Critical Overlord

By Mark Cantrell

markONE of these days I’ll figure out how to switch off.

No, I’m not talking about relaxing. Well not exactly, more like stepping out of this world and into the ‘zone’ – at least until the over-eager critical faculties crash me down to Earth.

That’s the trouble with internal critics; they can be unsympathetic swine, with little or no regard for the literary process. Going off half-cocked instead of chilling out in the back brain until you’re ready for them, they can seriously cramp a wordsmith’s sanity.

If the creature doesn’t hit mid-flow and crash me out of the ‘zone’, then it undermines my regard for the latest draft I’ve sweated to finish. Snarling that my work is rubbish, it harasses me into a screaming fit, to send me wailing back to the keyboard to start afresh. Stretched thin, and wound-up, brittle me becomes lost in an endless round of sweat, tears and turmoil, while my critic cracks the whip.

Times like that, writing loses its joy, but bloody-minded obsession – maybe that slave-driving critic – won’t let me walk away. I have to keep going until, somehow, I come through the other side with words the critic can’t dismiss. I must admit, there’s a certain smug satisfaction to be had in leaving this mental gremlin speechless, but I know it’ll be back for another headbanging session sooner or later.

We all have our crosses to bear; this is mine. The problem is, as a journalist, I am expected to get my copy right first time. In a busy editorial office there’s no luxury of reworking and polishing an article until it’s ‘just right’. The deadline doesn’t give a damn about precious sentiments of literary art; that’s not what a news or feature article is all about, so get a grip and get that copy filed.

That’s journalism, but what works in the newsroom can play havoc with the author, at least in my case, because it doesn’t necessarily remain there: that damned internal critic demands the same right-first-time standards for my creative writing.

Now, it is possible to get that scene of a novel right first time. I know because I’ve done it, but right first time doesn’t mean to say finished first time. A draft is a draft – and it remains so until the novel is completed ready for publication. Until then, it’s subject to change.

Novels grow organically, I find. For all the planning and thought that goes into their conception and development, they still begin to exert themselves as the characters find their feet – and their voice – and the plot begins to blossom. Sooner or later, the novel starts kicking back and asserting itself.

That’s no bad thing. A novel that remains limp to the author’s touch throughout is nothing but a stillbirth in the making, but when it begins to come alive the newborn beastie needs a little tender discipline to ensure it reaches a healthy maturity. Cue that internal critic; it ought to be a crucial ally but that journalistic ‘right first time’ malady transforms a stern ally into a monster smashing up the lab.

To some extent, I probably owe the critic a begrudged vote of thanks, but let’s not go overboard. Here’s the thing: while at times those over-worked passages have resulted in the goods, more often than not any benefit has been outweighed by the headache involved in the endless re-working. The better re-writes have come at their proper time – in those second or third draft phases.

All the internal critic has really achieved is to hold up the novel’s progress by forcing me to waste time and effort (not to mention sanity) on a part best left to lie fallow in the backbrain for a while.

A novel is rarely – if ever – a continuous stream of structured thought. The whole is assembled from the sum of its parts. The parts, of course, are the disparate scenes and passages that are slotted together to create the seamless whole. It’s all too easy to be caught in the ‘right first time’ trap of endlessly trying to perfect each scene before moving on to the next.

Sure, sometimes, there’s a case to be made for taking another attempt, but for the most part you want to be getting your raw ideas down and moving on. Otherwise you’re going to fall foul of creative exhaustion.

Take it from me, it’s painful and the internal critic’s sergeant-major-style barking only makes it worse. When I find myself caught in this trap, all I can do is work through it, find the draft that pleases the critic or else – by luck or sheer will – force myself to unwind and relax back into the project. Then I can move on and take the novel forward. That’s the essential thing; plenty of time to rework later, and you’ll have a much clearer idea of the work it requires too.

When the time comes, you can let that internal critic go to town. Until then, if yours is as bellicose and exacting as mine, you might want to keep the thing bound and gagged until you’re ready to set it loose.

ENDS

 

Mark Cantrell,

Stoke-on-Trent,

13 April 2018

You can find his books here:

https://amazon.co.uk/Mark-Cantrell/e/B004WSWX6K

citizen

You can find Mark here:

Twitter: @Man0Words

Blog: tykewriter.wordpress.com

 

New projects and old

Hi everyone,

So, I figured I should probably update you guys on the flurry of WIPs that I’m constantly working on. If I’m repeating myself, I apologise, but I think most of this will be new information.

Here we go…

 

Down Days – My insight into living with depression was released over a year ago as a free ebook, and the ongoing blog that followed it is still going over at http://www.downdays.org. When I started with the book, the idea was to release it for free as I believe that money shouldn’t be a barrier to people getting information that they need, especially about something as vital as mental health issues.

However, now that we’re a year on, I’ve stretched Down Days as far as I can on my own. And so, I’m looking for a small publisher to possibly take it on. Check the blog for more info on how far I’ve gotten with that.

Completion – Possibly impossible

 

Emi – A horror fantasy where all the characters are already dead and the creatures of Japanese mythology walk the earth. You might have gleaned from my last post, but Emi is now completed. It’s a project that I’ve been working on since way back in Greaveburn times and continued as I worked on The Adventures of Alan Shaw one and two. Finally, it’s done and…I’m really proud of it. It’s bloody weird, but I think it may be my favourite story I’ve ever written. Which says a lot since I love my novels.

Now, it’s time for Emi to fly the coop and I’ll be trying for serialisation in magazines before novella publication. It’s too short for Inspired Quill, and possibly too weird.

Completion – 100%

 

Cyberpunk novel (working on a title) – A story inspired by my love of William Gibson, Phillip K. Dick and Katsuhiro Otomo. Themes surround the human condition, evolution gone stale and social progression. Written with non-gender specific pronouns and focusing on the characters lives in the futuristic Shika-One city, I’m hoping to really push myself to try something new. Also, this book currently has a soundtrack and I’ve been describing the music that the characters listen to without using lyrics, band names or genres. I never do anything the easy way…

Completion – 60%

 

And now…introducing…

Aethertide – My first attempts at a comic book, I’ll be working with the excellent Katherine Ellis, writer and artist of the Crankrats webcomic. Although still in the embryonic stages, I’m hoping to have a lot of fun with this. Olivia Heward is a genius scientist, studying the origins of the powerful substance known as “aether”. After a slight miscalculation, she’s hurled through the extra-planar space between realities on a wild adventure.

Tell me that doesn’t sound like a riot to write! And hopefully it’ll make a fun graphic novel for you all to read.

Completion – About 20%

 

Well, that’s the update for now. Hope it’s whetted your appetite. Alan Shaw volume 2 will be with you soon, guys, I promise.

 

Thanks for reading.