Patreon: My Experience

Hi everyone,

I’ve officially been on Patreon for two weeks now! How’s it going? Is it worth it? Is it complicated to use?

In short…brill, yes, no.

But what’s it all about? For those of you who are Patreon-curious, the idea is very simple. In days of yore artistic types such as authors, poets, painters and musicians would have patrons who would help them to afford to live while they created their works of art. Patreon does the same thing, allowing people who want to support the arts or creation of something new to choose a person or project that they like and help to fund it.

starvingwriter
“Starving Author” a self portrait by Craig Hallam

How is that different from Kickstarter, I hear you cry? Well, on Patreon you’re choosing a person that you believe in. You’re not taking one project, making it happen, then getting something at the end of it, you’re helping a person to reach their ongoing goals and receiving ongoing rewards as a thank you. An artists can have a monthly amount that they need to reach in order to be able to create full-time, or perhaps like myself they need help with the travel costs to attend events and book signings across the country. To me, that travel is absolutely essential to expanding and maintaining my readership. Also, instead of a one-off payoff like Kickstarter, patrons receive brand-new work from their favourite creators every month, often well before anyone else.

So, how hard is it to set up? Ridiculously easy. Within an hour or so I had my page ready to go. The system that they have in place is so easy to navigate through and the Patreon team have taken great pains to make sure that easy-to-read information is available on everything that you might be trying to do. The whole site is written with a chilled vibe and friendly atmosphere.

Two things to be aware of! You will need to submit your page for approval (to make sure that you’re not being sketchy) before it goes live. However, it took mine about two hours to come back so hardly a long wait. Secondly, you’ll need to fill out some kind of tax form. However, before you start to panic as I did, the forms are right there on the site, all clickable boxes, and Patreon has added super easy guidance so that you know what to put in each box. They then sort your tax FOR YOU. So anything that ends up in your bank account at the end of the month is yours and yours alone. No messing. How awesome is that?

Basically, I’m very happy with it so far. I think that this is exactly what struggling artistic types like me really need to be able to make beautiful things to share with you. I only have six patrons at the minute but I’m already half way to being able to afford the costs for one event table a month. That’s amazing! I really can’t express how lucky I feel to have such lovely people supporting me. And the real beauty of being a patron are the tiers. You can decide to be a patron for as much or as little a month as you like, and not only do you get the warm and fuzzy feeling of helping out your favourite artist (because every penny counts and is much appreciated) but you get to see some great new work, too.

My patrons are getting some really fun new material. Patreon is giving me an opportunity to share poetry, short stories and experiences that are just a bit different, a bit more vital or expressive or avant-garde that might struggle to get published elsewhere but I get to share it with you all, anyway. So far, patrons are getting access to:

  • Brand new spooky poetry for a collection called “Rhyme beyond Reason”
  • Also new poetry based on the Down Days novella about my experiences of living with anxiety and depression. This will be collected and printed, too.
  • A serialised novella, Oshibana Complex, which is a hopeful, philosophical, dystopian cyberpunk story featuring non-binary characters, all about the final evolution of humanity (whatever that may be…)
  • New and exclusive Alan Shaw stories just for patrons!

I’m also looking forward to meeting goals which will allow me to print the collections mentioned above and pay an artist as they should be to draw my Steampunk comic book, Aethertide. I’m eager for you to all meet Olivia and Raisa as they leap between dimensions.

All of these things are possible with Patreon and it’s a very exciting time. Because these are things that, once in print, I can not only take to the book signings, but also send to patrons before anyone else gets to see them.

What Patreon builds is a loving, interactive and supportive relationship between creator and patron. It really does give me the warm and fuzzy feelings.

Anyway, that’s what’s been going on with me for the last two weeks. If Patreon sounds like something that you might be interested in either starting or joining, here’s the link:

http://www.patreon.com/craighallam

If you would consider sharing the link around, I would really appreciate it. You’ll be helping me to build my career, creating wild new pieces of writing and maybe even eat at the same time 😀

 

As always, thanks for reading, folks.

To the future!

Hi everyone!

It’s been a little quiet for a few weeks hasn’t it? Sorry about that. I’m afraid the constant juggle between life and work has had me clinging to the underbelly of a runaway ostrich and blogging has been left behind in the dust cloud.

I have a few updates, however. I’ll be updating the Tour Dates page shortly with events that I’m booking for next year as they’re coming in thick and fast. The likes of Scarborough Sci-Fi Con and Worldcon in Dublin are a dead-cert with UK Indie Lit Fest and Steampunk Asylum in the works, too.

I can now confirm that Oshibana Complex, my non-gender specific cyberpunk novella, will be worked on by Inspired Quill around November next year. That means we’ll all have to wait a while for another book from me, but I promise it’ll be worth it.

In other news, I’m thinking about starting a Patreon. My main objective will be to help pay for table, travel and accommodation costs for future book signings as this year has been a tough one and I’ve had to say no more times than yes to event invites. That’s obviously not good for an author trying to get more readers and spread their work around. In terms of rewards, I’m thinking of offering monthly author tips, poetry and chapters of novellas that no one has ever seen, maybe even mixing in new Alan Shaw adventures that never made the books. What do you guys think? Do you have any other suggestions of things you’d like to see there? What would entice you? I’d appreciate any feedback and ideas that you all have to offer.

What else?

Ah, for those of you who are followers of Alan Shaw’s adventures, there is some good news. Firstly, the third and final book of the trilogy is going well. I’ve not had a lot of time lately but I keep picking at it and hopefully it’ll be ready for you sometime soon.

Secondly, a new Alan Shaw short story is being published in a sci-fi anthology (name to be confirmed) that will fill the gap between Alan Shaw and the Lovelace Code and Alan Shaw and the Wretched Revenge from Old Haunts (Alan Shaw book 2). For those of you who have been asking about how Alan got to Chicago in Wretched Revenge, this story will answer your questions.

I’ve been asked many times about what happens between the stories in the Alan Shaw books. Some people see the little leaps in time as tantalising questions to be answered. As I always tell people, there aren’t any gaps, only other adventures that didn’t make it into the books. Lots of them. In the coming months/years, I hope I’ll have the opportunity to share more of Alan’s stories with you.

Anyway, with that revelation hanging in the aether, I bid you all farewell. Until next time, my friends.

Embrace the Weird!

 

Thanks for reading.